Tracey works very casually as a crowd intoxicator in the event hospitality industry and is an incredible advocate for people living on low incomes. She tells a very compelling story about what she did with the extra money she received when Newstart became Jobseeker. The interview was recorded last year but is very topical now, with lots of references to the perils of casualising the work force. APN is the Anti-Poverty Network.
A Way of Being. An exhibition put together by Pru’s daughter, Margie Medlin, actually in Pru’s Frida style house, showcasing the multi-dimensional talent of this amazing craftswoman, artist and feminist Pru La Motte. It was recorded on the opening day of the exhibition and captures the quirkiness that was Pru, with background noise and people wandering in and out. Anne Levy and Marjon Martin added their comments as they came into the display room that was Pru’s dining room. The photo gives a tiny taste. This is the first part of a series that will honour Pru’s life and work.
I thoroughly enjoyed this conversation with Lisa, listen up as she talks about how she got through 2020 and her up and coming interactive gig, Pub Sing
Lisa Lanzi has worked in all areas of the performing arts, securing her first professional gigs at only eight years of age. Training extensively in her home town of Sydney in classical, tap, jazz and contemporary, Lisa worked as a freelance performer whilst completing a Diploma in Visual Arts (TAFE NSW) and teaching dance at the famed Bodenweiser Dance Centre. Upon moving to Adelaide she completed a degree in Performing Arts (Dance) at Adelaide University followed by an Advanced Diploma of Acting at Adelaide College of the Arts.
As a teacher, lecturer, performer, mentor, director and choreographer Lisa has worked for The Australia Council, Country Arts SA, Carclew Youth Arts Centre, State Theatre Company SA, Australian Dance Theatre, Adelaide Festival and Fringe, Adelaide Cabaret Festival and Cabaret Fringe, Adelaide University, Adelaide College of the Arts, in secondary schools across South Australia, local Councils and private corporations plus the curated Singapore International Fringe Festival to name a few. She co-founded dance theatre company Splinter and was a cabaret performer with The Tapperuccis for many years. Lisa’s practice has encompassed community and professional arts projects and her latest projects are with BodySONG and BODYmap.
As co-director of BodySONG Lisa runs community singing events across Adelaide plus a number of movement, theatre and cross-artform in-theatre projects as well as presenting at national conferences and for corporate team-building through song and movement. With BODYmap, Lisa runs community dance projects and events for older persons, intergenerational groups plus master classes for the likes of Parkinson’s SA and Active Ageing Australia. “The work I embark upon with people who have not trained as dancers gives me a rare insight into meaningful movement and the enormous impact of dance which subsequently imparts knowledge and intent to my professional areas of practice.”
Lisa is also regularly invited to perform, choreograph and direct work for various companies and institutions in Adelaide and is exploring new horizons as a performer in film and television. She continues to undertake professional development in theatre and film and is furthering her study of Estill Voice Work. Her career as an actor and theatre director has also imparted much to her choreographic praxis and a desire to make work that combines text with choreography.
What better timing than on International Women’s Day to let people know about backpacker Cindy travelling solo around the world and now to Adelaide’s Fringe. But this is so much more than a travelogue, it takes the audience not just to distant places but also on an emotional journey.